A Novel and Creative Use of Harmony...by Kelly Clarkson

I find myself often referring to this song, because it really does something quite unique. The song is by Kelly Clarkson, called "Breakaway", and it's written by Avril Lavigne. Yes, the song structure is typical, the melody is pop, and the lyrics aren't exactly Dylan. So what am I talking about?

The harmony line.

Now at first glance, it may not seem much. But there's something quite interesting going on in this piece of music. I won't go into the details of how harmony works, because it's not about the type or style of harmonization that is going on that floors me - it's the timing.

Usually, harmonies are sung right on top of each other. That's what harmonized melody is supposed to be (as opposed to counterpoint, which I talk about in this blog post.

Yet in this song, the harmony precedes the main melody line. In other words, it's not sung together, but before the main melody line. It's just a strange thing to do, but it works. And that's what amazes me about this song. It happens during the chorus, right here around 1:09 when she sings "Make a wish, Take a chance, Make a change." Right before Kelly Clarkson sings that line - you'll hear a faint vocal line that is actually the harmony to what Kelly Clarkson is singing...but it comes before. Wow. Whoever thought of this is really creative.

Some of you might say that this is basically a "call and response" (A call and response is typically utilized in African music, where a "leader" sings a short stanza and the rest of the choir repeats it right after). But I would argue that it's a little different, for three reasons. First, it's not timed right - if the harmony is the call, and the response is Kelly Clarkson, then Kelly Clarkson is coming in too early. Kelly Clarkson doesn't actually let the harmony finish before she starts singing. Second, the fact that the harmony is leading is very strange. Third, it makes no sense to de-emphasize the leader (in this case the harmony). In short, I think this is quite a unique way of organizing vocal harmonies.